Life, however, is not skittles and beer — not even a "lite beer."
- Musicians and composers can't afford even "lite beer" on their typical earnings. Spotify has been a disaster, funneling even more of the revenue streams to distributors (and definitely not the musicians or composers). Worse, the scramble for pay distributed via algorithm inhibits creativity.
- Things are little, if any, better for those who create art from text. Ignore the expected but there are too many books! lament (virtually always expressed by someone with a conflict of interest that's not very hard to find). Dig a little deeper and you'll find a somewhat flatter income distribution than Big Legacy Publishing provides1 that nonetheless hides the poverty-level medians — which, in turn, means that the creators need another source of income. It probably won't be a support job elsewhere in the arts, though.
- Indeed, one need not even be a "content provider" to be ripped off by transferees. Ask yourself a question: How much of the revenue at ProQuest (or EBSCO) ever finds its way into the authors' account? (Ordinarily, less than Spotify pays musicians!) I can almost hear cryptolibertarians saying "But the authors agreed to the one-time-fee contracts! They have nothing to complain about!" I'll be in the corner, muttering about how contract enforceability presumes equal access to the relevant information, most especially future market conditions for a "transfer" of at minimum 70 years' duration (and that's if the author drops dead immediately after signing the contract).
- At least ProQuest and EBSCO actually have rights granted by the publisher (even if that's not always proper). Not everyone who, umm, "reads" electronic texts does. <SARCASM> Oh, my, did I inadvertently point to another potential source of LLM training materials that really is public domain? If only the standard of writing in those materials wasn't so poor… </SARCASM>
- The push to remove diversity, equity, and inclusion often goes more than a little bit too far. It's almost like they don't care that their real motivations are in full view. The one thing they're far too careful about is they hide who's actually going the work… not the signature on the orders but their text…
- If it's spring, barbecue season can't be too far off. Even — especially? — on Capitol Hill.
Hand me that bag of peanuts, please. No, the other one.
- There really isn't a good term here short of snark. "Traditional publishing" ignores that the "tradition" — measured by "most titles," the only independently verifiable count — until just about a century ago was a vanity publishing deal. "Commercial publishing" is my usual term, but it seems a bit inapt in considering the commerce of publishing.