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Scrivener's Error |
Law and reality in publishing (seldom the same thing) from the author's side of the slush pile, with occasional forays into military affairs, censorship and the First Amendment, legal theory, and anything else that strikes me as interesting. |
link to: 10:57 [GMT-6]
I'm not angry. I'm just terribly, terribly sad.
Implicit comparisons to the relationship among Google, publishers, and the Authors Guild in the GBS litigation are intentional.
Labels: arts, culture, mass media, politics, publishing
link to: 10:17 [GMT-6]
In dubious celebration of World Intellectual Property Day, herewith a few updates and thoughts thereon (sorry, I've been reading 1970s-era H'wood contracts a lot over the last few days...):
Meanwhile, Professor Samuelson demonstrates that she actually read the ruling and gives it some credence with a draft paper on what a legislative solution to the problems raised in the litigation might look like (PDF). I don't agree with everything in the paper, as it still fails to grasp that the default position of the various parties — that there is a valid means of avoiding direct contact with each author/copyright holder — cannot be mechanistically evaded without a fundamental alteration of copyright law. That said, it's a helluva lot closer to business-sense workability than anything else I've seen seriously proposed... which means, of course, that it has less than zero chance of getting through Congress.
In one sense, this is a chicken-and-egg situation in which the Bankruptcy Code (in the interest of creating a uniform law) tries to say "egg comes first unless the judge says otherwise." That is, it is not logically reasonable to require such a strongly plan-shaping measure so early in the process. On the other hand, it also allows the debtor to discriminate against certain landlords, which is — in effect — like allowing the debtor to determine which creditors to pay at a higher rate. In short, this is as much about juggling chainsaws as it is about bankruptcy law and practice. Notice, too, that the primary people who could be affected by this decision — authors and store patrons — have exactly zero say in any of this. Now that's respect for World Intellectual Property Day!
Basically, what happens next is this: First the District Court judge who just issued the ruling will rule whether to stay it pending appeal; then the Eighth Circuit Court of Appeals will rule whether to stay it pending appeal; then the appeal of this ruling will proceed in front of the Eighth Circuit and — unless the Eighth Circuit stays both the ruling below and all other proceedings, which would be highly unusual — the rest of the antitrust matter will continue in front of the District Court. In the ordinary course of things the various stay rulings will be issued within the next week, and almost certainly less than that.
So, what is it going to take for the league to win and get the lockout reinstated? Well, it is Easter/Passover season, so perhaps a miracle will be forthcoming... but I wouldn't count on it. Many employment lawyers point to the Eighth Circuit as being pro-employer, and in that sense they're right; that, however, neglects the procedural context. In this instance, the standard of review makes it extraordinarily difficult to reverse the District Court. On one level, a judge's decision on whether to grant a preliminary injunction is always reviewed for "abuse of discretion." The most common "abuse of discretion" is using the wrong law; thus, if the Eighth Circuit determines that Judge Nelson's legal analysis was blatantly wrong, the owners win. The problem is that her legal analysis is not blatantly wrong; those areas where there's room to disagree are precisely those in which the other barrier to reversal comes into play: The balance of equities and irreparable harms, and her findings of fact. In both of those areas, there's an even higher standard of review: "Clear and convincing error," which is roughly the civil litigation equivalent of "beyond a reasonable doubt." Further, there's another procedural reason for a court to refuse to reverse this particular injunction: The injunction does not concern an ultimate remedy in the litigation, but merely preserves a previously bargained-for result pending outcome of the entire case (and American Needle, holding that the NFL is subject to antitrust scrutiny for its licensing arrangements, is a heavy hand on the scale there... and requires the Eighth Circuit to reconsider some of its prior pro-employer precedents).
Thus, if the owners don't get a stay allowing them to continue the lockout during appeal, I don't see them winning this appeal. Procedurally, there's too much of a mess. Score a touchdown for the players' lawyers.
Labels: copyright, intellectual property, internet, law practice, mass media, politics, publishing, sport
link to: 13:30 [GMT-6]
I only wish this was fictional:
On to the suspicious link sausages of dubious origin indeed!
<SARCASM> Whether the antiintellectualism fostered by American "business education" has anything to do with the constant dumbing-down of entertainment and creative products is left as an exercise for the student. </SARCASM> It certainly appears to have blinded Mr Morris to the source of the point he was trying to make.
[T]he Unofficial Committee made a decision to disband and has advised Dorchester of this decision. The Unofficial Committee has taken this step because it has determined that Dorchester will be unable to propose any meaningful repayment plan to unsecured creditors in the foreseeable future. Thus, the forbearance period that commenced in August 2010 is no longer in effect and creditors of Dorchester are free to take any action or inaction they determine to be appropriate.
Translating from Lawyer to English, that means:
Congratulations, authors: In technical terms, you're f*cked. Your claims are so piddly and indistinct that you don't have a realistic voice in the impending dissolution — and you won't have any say in what happens to whatever rights of yours Dorchester either continues to hold or is exploiting without permission, either. Have a nice day.
Just another day in paradise, eh?
Labels: arts, culture, intellectual property, mass media, publishing
link to: 10:49 [GMT-6]
Just watching the morning thunderstorms go by while I stuff these link sausages in their virtual casings...
Except, perhaps when it comes to "nonfiction" with variable truthiness... a topic all too ironically appropriate given the rumor-slash-announcement that one of Oprah's last shows will feature James Frey.
Labels: arts, culture, internet, mass media, politics, publishing
link to: 14:46 [GMT-6]
Today's late platter was waiting for a couple of anticipated items...
This particular case has several frustrating aspects. Leaving aside the ethical/moral dimension of the particular objectifying toys at issue — a problem on which there really can't be much, if any, agreement — this case represented an opportunity for courts to definitively rule on the propriety of "spare time creations belong to the employer" employment agreements/contracts/employee handbooks, as the Ninth Circuit found too many loopholes in Mattel's version; on whether the scenes à faire doctrine from the 1909 Act survives as an independent consideration for copyrightability under the 1976 Act, or whether (as I believe) is it properly considered as one of the ยง 107 fair-use factors and not an independent determination; and whether the appalling amount of money represented in both the toy lines themselves and the legal fees could, and should, have been allocated better to the benefit of the various shareholders in the respective corporations. As Mattel has already been told once when it overreached to "protect" Barbie's anatomically incorrect image, "The parties are advised to chill." Mattel, Inc. v. MCA Records, Inc., 296 F.3d 894, 908 (9th Cir. 2002) (holding that the song "Barbie Girl" does not infringe Mattel's rights).
Although explaining why is well beyond the scope of this blawg, this matter also has some interesting implications for Happy Days (may that misbegotten load of dreck be quickly and permanently forgotten). Let's just say that CBS sympathizes with Mattel's side in this particular dispute and leave it at that, ok?
Yankovic didn't actually need Gaga's permission, but he extends the mutually beneficial proposition as a courtesy — his parodies have always fallen under "fair use" in matters of copyright law.
(typography corrected) No, no, and yet again no. On the one hand, Weird Al's work almost always qualifies as fair use. However, "parody" has been a relevant consideration only since 1994, when the Supreme Court said that a parody could constitute fair use (not necessarily is fair use), and there are several Weird Al songs that — however much I love them — fall outside the bizarro definition of "parody" that holds in US copyright law, so they don't even have that much protection, although they should. And, amusingly enough, one of them just popped up at random on the playlist...
Of course, Lady Gaga has other legal problems right now, so jettisoning this one makes good strategic sense, too. And how often can one say that about anything in the entertainment industry?
Labels: arts, copyright, intellectual property, jurisprudence, mass media
link to: 11:48 [GMT-6]
Some of these link sausages are not all that current... one might call them "carefully aged" except for the "careful" part.
Patronage may have gotten us Michelangelo, but we have no idea what it directly or indirectly suppressed. That's why there needs to be at least some government support for the arts and some market (as opposed to patron) support for the arts. In short, we need all three for diversity, or the next Guernica may remain forever locked in an artist's head.link to: 15:27 [GMT-6]
Just a short note today; consider this the chunks of meat and seasonings that go into making internet link sausages...
Nonetheless, it's good to see at least some attention being paid to the area. Now if only any of the columnists knew what an eiron was...
Back to the salt mines; I need to peer review an article on the GBS...
Labels: arts, culture, jurisprudence, publishing
link to: 11:45 [GMT-6]
I'm not advocating nationalization of Google or anything like that; I'm only advocating intelligent restraints on power, just as I advocate them on government. The evil is not "big government": it is unchecked accretions of power. At present, the social balance in the US places plenty of checks on government power and not nearly enough on private power... in a manner disturbingly reminiscent of the era of the great trade monopolies, with their private fleets and armies (and atrocities and centuries-later remnants of colonialism, bigotry, and genocide). I grew up in what was essentially a "company town" suburb of Seattle, where if one criticized Boeing or Paccar one could expect to be hauled in front of the Neighborhood Unamerican Activities Committee faster than one could draw one's next breath; in many ways, it's worse than government-sponsored totalitarianism, and it's yet worse in the "true" company towns found in Europe.
This sausage brought to you by waaaaay too much time theorizing about utopian and dystopian literature in the course of post-baccalaureate studies in English literature. And if you don't stop me now, I probably — no, certainly — will theorize again! Perhaps it will be only over wine and cheese at some faculty gathering or lecture series, but it will happen... and yes, you should be afraid.
Labels: arts, censorship, culture, internet, mass media, politics, publishing
link to: 08:33 [GMT-6]
Just a quick Borders bankruptcy update to start the week off right...
Last Thursday, there was an omnibus hearing covering a bunch of motions and administrative matters. Last Friday, Judge Glenn signed an order establishing deadlines (Doc. 580) (PDF). And, of course, the "publishing press" has had not one word to say on it.
The 08 April 2011 order establishes the "bar date" for filing proofs of claim in the Borders bankruptcy. For certain governmental entities, that date is 15 August 2011; for everyone else, that date is 01 June 2011. And, unlike most other deadlines in far-off cities with which Americans are familiar — like the IRS deadline this coming Friday — that is the date by which a proof of claim must be received in New York. This is most likely to affect small presses (and, indirectly, authors whose books are published by small presses), and especially those who dispute Borders' accounting... which, based on my experience with bankruptcies in general and accounting in the industry in particular, should exceed 100% of the claims on the various schedules (Docs. 491, 493, 495, 497, 499, 501, 503, 505).
Fortunately, the actual process of filing a proof of claim is relatively simple and does not require either a lawyer or a filing fee. The actual form is the last two pages of the 08 April 2011 order, and only one side of it requires filling things out. A claimant must include documentation proving the claim, but that's relatively easy in these circumstances — copies of shipping invoices and payment records would suffice.
Unfortunately, the consequences of not filing a proper proof of claim are rather draconian. Although both the Bankruptcy Rules and common law concerning bankruptcy filings say that those whose claims are properly scheduled need not file separate proofs of claim, that glosses over the key adverb: properly, which includes both the nature of the claim and the amount of the claim. Consider, for example, a hypothetical author who has essentially "self-published" with a vendor (not just Borders — I'm taking the opportunity to do a little general education). The schedules — if they list that author's claim at all, which is extraordinarily unlikely — will almost certainly list that claim on Schedule B (personal property) as an amount owed... which is only part of the claim. Instead, such claims should be listed on Schedule G (executory contracts) so that the publishing rights get returned, too — so as to avoid creating later doubt concerning those publishing rights. If this sounds disturbingly like the problems with the iBooks bankruptcy that resulted in transfer of publishing rights to a new entity without any notice to the authors whatsoever — even when the author-Preiss/iBooks contracts required author approval that was never sought, let alone obtained — it should.
Thus, anyone who has a direct claim against a Borders entity for anything other than a straight "I shipped them three cases of commemorative pencils on a nonreturnable basis for which they haven't yet paid me"-type vendor claim should (1) read the disclaimer in the upper-right-hand corner of your screen and (2) probably consult counsel. That may not be necessary to actually file the proof of claim... but it may well be necessary to determine whether to file a proof of claim, and for what.
Labels: copyright, intellectual property, law practice, publishing
link to: 12:17 [GMT-6]
It's not just the commercial publishing model in NYC that's broken, kids; it's the entire chain between author and reader, in a self-devouring festival of parasitism. Or zombies, as the case may be... except that there are few braaaaaaaaains to be found among those who continue trying to force old square pegs into 1990s round holes (let alone today's star-shaped ones).
Labels: copyright, intellectual property, publishing
link to: 13:03 [GMT-6]
...in stark contrast to the "Reverend" Terry Jones and the predictable results of his bigotry.
"The truth is that the book is very modestly done. My wife did give me a card," he giggles, "that said, 'I used to be an atheist until I realised I am God'. And I know that on Monty Pythonesque grounds there's a good likelihood that in five centuries time I will be one, as a result of this."
* * *
"Well, firstly, I think the charges of militancy and fundamentalism of course come from our opponents, the theists. My rejoinder is to say when the boot was on their foot they burned us at the stake. All we're doing is speaking very frankly and bluntly and they don't like it. So we speak frankly and bluntly, and the respect agenda is now gone, they can no longer float behind the diaphanous veil mdash; 'Ooh, I have faith so you mustn't offend me'. So they don't like the blunt talking. But we're not burning them at the stake. They've got to remember that when it was the other way around it was a much more serious matter.["]
I'm not a forensic accountant, but there are some disturbing discrepancies between various of the schedules among the entities. I may be an IP nerd and civil procedure geek, but I draw the line at chartered accountancy. Of course, it is related to the entertainment industry, so I suppose we must expect some dodgy accounting! The key point, though, is this: The dodgy entries I found are almost uniformly to the disadvantage of suppliers of material for sale at Borders stores and in favor of landlords and utility companies. Considering that this is the same problem that led to refiling of Kmart's schedules when that former parent of Borders went through Chapter 11 a few years back, I shouldn't be all that surprised... because if there's one thing that the American retail sector has proven over the past quarter of a century, it is that nobody with the ability to change anything is capable of learning from mistakes.
Labels: civil rights, culture, intellectual property, lolpol, politics, publishing
link to: 21:03 [GMT-6]
In the news today (and, despite the date, at least two of the below are factually true):
Labels: culture, internet, law practice, miscellany, politics, publishing
Ritual disclaimer: This blog contains legal commentary, but it is only general commentary. It does not constitute legal advice for your situation. It does not create an attorney-client relationship or any other expectation of confidentiality, nor is it an offer of representation.
All material © 200312 except where otherwise indicated. All rights reserved. This blawg does not use the Creative Commons License, although I'm usually pretty good-natured about permissions for attributed reuse.
I approve of no advertising appearing on or through syndication for anything other than the syndication itself; any such advertising violates the limited reuse license implied by voluntarily including syndication code on this blawg, and I do not approve aggregators and syndicators whose page design reflects only an intent to use the reference(s) to this blawg without actually providing the content from this blawg.
Sausages?
Internet link sausages, as frequently appear here, are gathered from uninspected meaty internet products and byproducts via processes you really, really don't want to observe; spiced with my own secret, snarky, sarcastic blend; quite possibly extended with sawdust or other indigestibles; and stuffed into your monitor (instead of either real or artificial casings). They're sort of like "link salad" or "pot pourri" or "miscellaneous musings" (or, for that matter, "making law"), but far more disturbing.
I am not responsible for any changes to your lipid counts or blood pressure from consuming these sausages... nor for your monitor if you insist on covering them with mash or sauce.
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Warped Weft
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